Sashay or stay — will RuPaul’s Drag Race Down Under erase Australia’s ‘ocker’ drag past?
Stan, World of Wonder Productions
A discussion of how RuPaul’s Drag Race Down Under will resonate with audiences. Analysis for The Conversation by Joanna McIntyre, Swinburne University of Technology
RuPaul’s Drag Race Down Under will premiere on Stan this Saturday. The Australian-New Zealand version of the global reality TV juggernaut will share an Antipodean mode of drag with audiences around the world.
Veteran drag star RuPaul created Drag Race in 2009 for niche US cable channel Logo TV. It parodies reality TV competitions such as America’s Next Top Model, with a group of drag queens competing across various performance-related challenges to be (literally) crowned the next “Drag Superstar”.
RuPaul has since built up a media empire. The show, which moved to the mainstream US channel VH1 in 2017, has had successful spin offs in the UK, Canada, Thailand and Holland.
Until now, only the US and UK versions have featured RuPaul and his “Best Judy” Michelle Visage as judges. Drag Race Down Under will also have this fierce duo on its main judging panel along with Australian comedian Rhys Nicholson. Both Australian and New Zealand drag queens will compete, with guest judges including singer Kylie Minogue and Kiwi film director Taika Waititi.
Having been accused of mainstreaming drag, eliminating its subversive impetus, it will be intriguing to see how this slick show — built on US histories of drag — approaches the Australian drag tradition.
A blokey culture
In Australia, drag queens have tended to have an “ocker” sensibility, which has made them perhaps surprisingly welcome within a blokey culture.
Early straight drag: Aunty Jack (centre). Wikimedia Commons
There is an important difference, however, between the queer drag that drag queens perform and straight drag. Queer drag is aligned with LGBTQ+ communities and can powerfully reject the constraints of gender norms. In contrast, straight drag usually entails heterosexual men dressing up in feminine clothing for the sake of comedy — and it can be used to mock women.
Australian screen culture reflects the place of both these forms of drag in broader Australian society.
Australian TV has long featured straight drag. Early on, it often did so by imitating the English tradition of pantomime dames.
For instance, in the 1970s, the TV character Aunty Jack sported a blue velvet dress, a moustache and one golden boxing glove.
In Australia the practice of straight drag is also associated with laddish behaviour. Certainly, the burly blokes on The Footy Show were notorious for donning women’s garb for comedy sketches.
Despite stark differences between the two, queer drag and straight drag are often unusually interconnected in Australia because both feature aspects of the “ocker”.
While queer drag is celebrated in LGBTQ+ bars and clubs every night, straight venues around Australia — including RSLs and rural pubs — also regularly host queer drag queens.
Queer drag also looms large in Australia’s collective consciousness. Notably, in the 1960s, the queer cabaret troupe Les Girls in Sydney’s Kings Cross became a “must see” spectacle for mainstream Australia. These glamorous performers appeared to be beautiful women but were all queer men dolled up in wigs, makeup, sequins and feathers.
The most famous Les Girls showgirl was the busty “bombshell” Carlotta. In the 1970s, she also became Australia’s first transgender celebrity. Carlotta has performed drag throughout the country for more than 50 years and remains a revered queer figure.
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