Creativity for Practice
Duration
- One Semester or equivalent
Contact hours
- Online and private study - 12.5 hours per week
On-campus unit delivery combines face-to-face and digital learning. For Online unit delivery, learning is conducted exclusively online.
Aims and objectives
After successfully completing this unit, you will be able to:
1. Evaluate and critique a range of complex techniques and theoretical approaches for turning creative reflection into creative output.
2. Demonstrate a high level of creative and practical skill experimentation through the application of creative and critical approaches to documenting and managing creativity.
3. Create and maintain a substantial research-based writer’s journal that unites independent reflexive thinking about their creative practice with theorisations about the nature and critical practice of writing.
Courses with unit
A unit in the Master of Writing
Unit information in detail
- Teaching methods, assessment, general skills outcomes and content.
Teaching methods
This unit will involve up to 150 hours of work including:
Type | Hours per week | Number of Weeks | Total |
Face to Face Contact | N/A | ||
Online Contact | 3 | 12 | 36 |
Specified Learning Activities Readings, Groupwork, posting to discussion board | 3 | 12 | 36 |
Unspecified Learning Activities Independent study, readings and assignment research | 6.5 | 12 | 78 |
TOTAL | 150 hours/12.5cp |
Assessment
Tasks and Details
| Individual or Group
| Weighting
| Unit Learning Outcomes that this assessment task relates to
|
Written Assignment 60% | Individual | 60% | 1, 2, 3 |
Weekly Discussion Threads (12) 40% | Individual | 40%
| 1, 2, 3 |
General skills outcomes
You will be provided with feedback on your progress in attaining the following generic skills:
• Teamwork skills
• Analysis skills
• Problem-solving skills
• Communication skills
• Ability to tackle unfamiliar problems
• Ability to work independently
Content
• Theories of creativity
• Thinking and writing reflexively
• Experiences of creative practice – case studies from the industry
• Alternate forms of creative output
• Voicing marginality
• Subjectivity
• Ethics and the writerly self
Study resources
- Reading materials.