This article investigates the emerging
internet phenomenon of machinima, which has been described
as an example of the convergence occurring between computer
games, films and the Web. Looking both forward and back,
machinima uses 3D game engines and networked environments
to produce work that is primarily traditional, linear
and narrative. The use of the internet by the machinima
community to promote the form was evaluated and the apparent
conservatism of machinima’s approaches to visual
storytelling was considered. Through my research, which
combined a critical viewing of key works, a review of
relevant literature and a practice-based component producing
a machinima work entitled ‘Ending With Andre’ – which
screened at the 2005 Machinima Film Festival in New York – I
have argued that one of the most distinctive features
of the form is not apparent in the finished work but occurs
during the production process, in the ways the user/filmmaker
interacts with a 3D game environment.
Keywords: Machinima;
convergence; prosumer; alternative media; N Katherine
Hayles; Bourdieu.
Leo Berkeley is the leader of the Media
discipline within the School of Applied Communication
at RMIT University in Melbourne, Australia. He also has
considerable experience as an independent filmmaker, having
written and directed the feature film, 'Holidays on the
River Yarra', which was an official selection for the
Cannes Film Festival in 1991.
The Australian
Journal of Emerging Technologies and Society
examines the social implications of emerging technologies,
from mobile Internet and wireless technologies to biotechnology and cybernetics.